First, a word about the Perry brothers. Their in-your-face style of humor isn't for everyone.
I like much of it, but they can definitely be offensive, sometimes downright jerks (if you keep reading, you'll see why I think it is justifiable for me to call them "jerks"). Which brings me to my final point: "Is it OK to laugh?"
Andrew Terjesen, Assistant Professor of Philosophy at Rhodes College, tackles the subject of offensive humor by asking, "Why is it
not OK to laugh at mean-spirited humor (like racist jokes), but it is OK to laugh at parodies of it?" He says that it's because "parodies of mean-spirited humor are at the expense of mean-spirited people."
So is it OK to make fun of mean-spirited people? I think so. If it's for their own good and the good of those around them. Making fun of people is only acceptable if the people at the butt of joke have the potential to change. That's why it isn't ethical to make fun of people with intellectual disabilities or because of the color of a person's skin. They have no way of changing
who they are. But a person who makes fun of a disabled person
can change, and humor is a powerful tool in helping bring about that change.
Terjesen also says, "Since parodies of mean-spirited humor target mean-spirited people we
ought to laugh at the parodies. By laughing at them we are reinforcing the idea that no one should be like them."
Ben Stiller has repeated over and over that
Tropic Thunder is not mean-spirited. How can we differentiate between parodies of mean-spirited behavior and those that pretend to be? To do this, we have to look at Stiller's
intent as well as
his past treatment of humor.
Stiller says that the Hollywood system and narcissistic actors are the butt of the joke. And if we accept that it is OK to make fun of those who can change their behaviors, and we also agree that it is good for them to change their behavior, then we should be able to agree that Stiller
is justified in making prima donna actors the butt of the joke. For
their own good, and the good of society.
What about
Simple Jack? Is Stiller making fun of people with intellectual disabilities, or is he making fun of actors who go too far in their portrayal of those with disabilities? If he is indeed making fun of the disabled, then he is wrong. I assert that he is doing what he says he is doing and to back this up, we have to look at his past.
Stiller has been making parodies since the 1980's when he did
The Ben Stiller Show. His
parody of 90210 is a classic and rightly mocks those who are self-absorbed.
There's Something about Mary,
Meet the Parents,
Reality Bites,
The Heartbreak Kid, Zoolander,
Night at the Museum. While much of the humor in his films is crass, I think you would be hard pressed to make the argument that they are mean-spirited. So after nearly 20 years of parody, is it fair to make the claim that Stiller has crossed the line? I think we should give him the benefit of the doubt.
I've read many posts that say, "So what if it's a parody? Lots of people won't get it and will think it's OK to make fun of people with Down syndrome or intellectual disabilities." But Terjesen asks, "Does it mean that because some people will laugh at something for the wrong reasons that you shouldn't do it?" In other words, if something could possibly be misunderstood, does that mean it shouldn't be done? There is always going to be potential for abuse. There are going to be a lot of people reading this post who will misunderstand me. Does that mean I shouldn't write it? Of course not.
A last thought from Terjesen, "Without parody, we lose an effective way of not only making fun of the mean-spirited (and therefore of publicly disapproving of them) but also of getting them to realize their own folly (as they begin to realize what they are really laughing at)."
What about the word "retard?"
Now that we understand (if you agree with what I've said thus far) the world that Stiller has created on the screen, we have the proper
context with which to
correctly interpret how the word "retard" is used. "Never go full retard" is uttered by a delusional actor (Downey's character) who is referencing other "serious" actors (like Tom Hanks and Sean Penn). Who is the butt of the joke? The "retarded?" Or the actors (Hanks and Penn)? I assert that it is the latter, thus the term,
in this context, is justified.
That said, I do take the film to task for one damning scene that is mean-spirited and crosses the line (based on the butt of the joke being someone who cannot change
who they are.) The scene(s) both involve Matthew McConaughey. I'm sure you've read about them. McConaughey, who plays Stiller's agent, shows disappointment with having a child with apparent Down syndrome. I especially take Stiller to task for the final scene in the film, which received a huge laugh by the audience when I saw it. McConaughey is sitting on his private jet and gives an obvious look of disappointment in the direction of his son, who is sitting looking out the window quietly.
Why is this mean-spirited? Who's the butt of the joke? True, McConaughey is portrayed as a shallow, money hungry, insecure agent so the argument could be made that we are laughing at his lack of character. But it doesn't play that way and needs to be challenged.
Why have I devoted so much time and thought to this movie? I felt I had to since I am in the minority. I understand the motivations behind the boycott; please believe me that I do. How many times have I seen that frozen smile creep onto a stranger's face when they suddenly sense something is "different" about Ian. I want the world to see what a neat little guy he is, want them to know how he's changed my life for the better. I don't want him to be called "retard," but I also don't want him to be called "jerk" or any other disparaging word (unless he's being a jerk). And I can't help but feel that this boycott will alienate Ian even more. Now people may fidget even more around him or avoid him altogether for fear of offending him. People on the other side of the protests may avoid
me even more because they aren't sure how not to offend me.
We need laughter. We need satire. And we need Ben Stiller.